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People are raving about FilmFX
2.35...and they should be. FilmFX 2.35 is the most cost
effective way to get the expensive look of film on a video budget.
FilmFX 2.35 boasts thousands
of improvements over the popular original. Color curves.
Gamma control. Unsurpassed color correction and matching.
Extensive grain parameters. Anamorphic wide screen conversion.
Old Film effects. Gate weave for compositing. The list
goes on.
This
is what has people talking...
Tim Duncan,
MST Video
Not only does it do film looks, it does incredible color correction, and
lens filter effects. We shoot our footage with no filters, then run it
through FilmFX to dial in the exact amount of the Pro-Mist look we want. I
can't say enough good things about this software. Such incredible control,
all with multiple spline based changes over time, and blistering fast rendering. This and BorisFX are our two most used plug-ins. (Actually we
use FilmFX even more than Boris).
Steven Moore, Mirage Post
I've paid $800 a finished minute for post house renders of High Quality Film Look process in the past.
Cinelook takes much more time to render. Film FX is probably the fastest, best looking, best parameters, most intuitive and BEST BANG FOR THE BUCK... film software process available. The film stock presets alone have made our company literally thousands of dollars. We bill out our Film FX renders at $350 a finished minute. All this with software that is less than $500. This software can create a profit center for anyone. Once you get a client hooked on the look they will never go back.
Dan Powers,
Power and Light
I rendered a 30 sec spot with glows and subtle grain and field blending ,
it took about 15 minutes. Client was very impressed with the speed and the quality. I have gotten
four jobs from word of mouth regarding the quality of FilmFx2.
Victor Currie, Broadcast & Corporate Television
Your plug-in is absolutely fantastic. It works so well, I went back
in and applied effects to several pieces of our demo to make it look
like more of the projects were film-based, and I think the converted
betacam looked better than most of the film-originated material!
Andrew Marcus,
Cinemotive
I would like to take this opportunity to tell you that we LOVE your product. The quality is
outstanding and was worth every single penny we paid. It is one of those
extras that we can offer for other peoples projects that just help put us
above the competition. In addition, it is one of our favorite effects for
us to use in our own work. We just love it. Thanks Aaron!
Patrik Beck, Electric Crayon Studio
and Keyframe Magazine
I have been playing with the FimFX on some DV footage with excellent results. On a
whim I tried it on some logo sequences I had rendered, and on some of the
animations the results where incredible, much more expensive looking.
John Windmueller
I'll be at South by Southwest with my partner, Julia Tell, who has a short experimental film that was accepted into the festival. FilmFX
was largely responsible for the visual look of the film-- all sorts of dramatic tinkering with colors. As usual, I'll
be happily promoting your terrific product.
Michael Chambliss, Black Dog Creative
Thanks so much for the immediate attention to Vic's problem a couple weeks
ago. Impressive. Her client was impressed, too. Very cool. Because as the
worm turns, he has asked me to handle camera on the efx unit for a Universal film coming up. You made us look good.
Greg
Gelberger, Sharp Image Video Productions
I love FilmFX! It's powerful, simple to use, versatile, does what it says and
looks great doing it.
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